Elbow and upper arm motion is developed as students push the bow to the frog throughout this piece. It’s important that a long, singing musical line is created regardless of where we are in the bow or how much bow is required for a given note. Varied bow speeds are required for the uneven bowing as well as the crescendo. The piece is excellent for developing bow control. Suzuki violin students learn an arrangement of this waltz in Book 2. It’s amazing how much drama and expression can be packed into two minutes and twenty seven seconds. If you believe that any review contained on our site infringes upon your copyright, please email us.Did you notice the way the melody reaches higher with each phrase, climaxing at 1:01 only to fall back? There are also some fun harmonic surprises as Brahms shifts briefly into minor (around 0:30) and sequences in the “B” section (0:52-1:06). All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto.If you have any suggestions or comments on the guidelines, please email us. We cannot post your review if it violates these guidelines.Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.Please do not use inappropriate language, including profanity, vulgarity, or obscenity. Be respectful of artists, readers, and your fellow reviewers. ![]() Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.Are you a beginner who started playing last month? Do you usually like this style of music? ![]()
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